The Houston Museum of African American Culture is proud to present another year of engaging exhibitions and programming for the diverse Houston community to enjoy.
Badass Art Man: A conversation between the art of Danny Simmons and his collection
January 13-February 25, 2017
Badass Art Man allows us to get to know Danny Simmons deeply. We learn about him through his own artwork and his collection, and through the conversations between the two. This exhibition creates a portrait of Simmons as a keen observer of art, art-world politics, and social issues.
i found god in myself: 40th anniversary of Ntozake Shange's for colored girls...
March 10-April 15, 2017
In celebration of the 40th anniversary of Ntozake Shange’s genre-bending,award-winning choreopoem/play, for colored girls who have considered suicide/when the rainbow is enuf, the Houston Museum of African American Culture is pleased to present i found god in myself, an exhibit curated by cultural curator, lifestyle expert, media content producer + renaissance man Peter “Souleo" Wright. On view will be an art exhibit honoring individual poems and additional artwork further expanding upon related themes of sexuality, race, sisterhood, violence and self-love depicted and inspired by Shange’s work.
Africa on my mind: The art of Malick Sidibe and Leslie Wayne
April 28-July 1, 2017
Malick Sidibé was a photographer known for his black-and- white images chronicling the exuberant lives and culture, often of youth, in his native Bamako, Mali in the 1950s, ‘60s, and ‘70s. Sidibé’s work documents a transitional moment as Mali gained its independence and transformed from a French colony steeped in tradition to a more modern independent country looking toward the West. He captured candid images in the streets, nightclubs, and sporting events and ran a formal portrait studio.
Leslie Wayne’s dimensional oil paintings straddle an uneasy territory between object and illusion. She manipulates the medium by approaching oil paint as a sculptural material, often times scraping, folding, cutting and building up the surfaces. Her work takes on three-dimensional forms with layers, varying textures and colors, taking the viewer’s gaze literally in and out of the painting in a physical way and beyond normative ideas about what a painting should be. In her African inspired Paint/Rag series, Wayne drapes skins of paint in ways that resemble textiles, adorning the surfaces with varying patterns, mixed and matched from different tribes across Africa. By making a painting that looks like a humble scrap of cloth, Wayne addresses head on the undervalued beauty of the everyday and the separation of fine arts and crafts in Western culture.